法語音樂劇《羅密歐與朱麗葉》蘇州站

法語音樂劇《羅密歐與朱麗葉》蘇州站演出信息

柏遼茲《羅密歐與朱麗葉》

BERLIOZ ROMéO ET JULIETTE

2022.10.22（周六/SAT）19:30

蘇州文化藝術(shù)中心二樓/金雞湖音樂廳 Jinji Lake Concert Hall SCAC 2nd Floor

票價(jià)：580/380/280/180/80

指  揮 許  忠 | Conductor XU Zhong 
女中音 董  芳 | Mezzo Soprano DONG Fang
男高音 于浩磊 | Tenor YU Haolei
男低音 余  楊 | Bass YU Yang 
上海歌劇院合唱團(tuán) Shanghai Opera House Chorus

柏遼茲 《羅密歐與朱麗葉》

BERLIOZ ROMéO ET JULIETTE

觀演須知

1.本場演出全長約81分鐘，無中場休息。

2.本場演出適合8歲以上人士觀看。

3.金雞湖音樂廳入場身高要求:1.3米（兒童項(xiàng)目除外）。

NOTICE TO AUDIENCE

1. DURATIONApproximately 81 minutes without intermission.

2.  SUGGESTED AGE 8 and above.  

3.  Minimum Height For Children :1.3m (Jinji Lake Concert Hall). Except For Performances Specially Arranged For Children.

《羅密歐與朱麗葉》是一個(gè)我們耳熟能詳?shù)墓适?，在不同時(shí)期的藝術(shù)領(lǐng)域都有佳作被創(chuàng)作出來。

?？送小ぐ剡|茲在第一次接觸到莎士比亞的悲劇時(shí)，就萌生了根據(jù)羅密歐與朱麗葉創(chuàng)作音樂作品的想法，但直到他的的熱心支持者傳奇人物帕格尼尼慷慨資助的20000法郎，這個(gè)作品才得以推動(dòng)。這部作品是一部戲劇交響曲，它的演出除了交響樂隊(duì)外，還包含了獨(dú)唱與合唱。它并不是音樂會(huì)形式的歌劇。它的結(jié)構(gòu)龐大，獨(dú)唱、合唱與樂隊(duì)表現(xiàn)互為穿插，最后一段有大段的朗誦調(diào)與詠嘆調(diào)。在結(jié)構(gòu)和音樂上，《羅密歐與朱麗葉》受到貝多芬第九交響曲的影響很大，不僅在于獨(dú)唱和合唱的使用，還在把聲樂部分集中在結(jié)尾，在管弦樂編配的方面也多有相似之處。這是柏遼茲在創(chuàng)作野心高峰時(shí)期的作品，挑戰(zhàn)了交響樂團(tuán)的能力極限，展示出在音樂色彩的嘗試還是在個(gè)人技術(shù)方面的出眾才能，它令作曲家獲得了巨大的成功。

ROMEO AND JULIET is one of the most familiar stories, with masterpieces being composed in the arts at different times.

The idea for a musical work based on ROMEO AND JULIET was conceived by Hector Berlioz when he first encountered Shakespeare's tragedy, but it was not until a generous grant of 20000 francs from his ardent supporter, the legendary Paganini, that he was able to move forward. This work is a symphonie dramatique, a large-scale choral symphony that is performed with soloists and chorus in addition to the symphony orchestra. It is not an opera in concert form. It has a large structure, with soloists, chorus and orchestra performances interspersed, and large recitatives and arias in the final section. In terms of its structure and music, Berlioz’s ROMéO ET JULIETTE is heavily influenced by Beethoven's Symphony No. 9, not only in the use of soloists and chorus, but also in the concentration of vocal parts at the end, and in the orchestration. This is a work by Berlioz at the height of his creative ambition, both in terms of his attempts at musical color and his individual virtuosity, which made it a great success for the composer.